(1Kings 6, 23-28) The cherubim were overlaid with gold
[23] In the sanctuary were two cherubim, each ten cubits high, made of olive wood. [24] Each wing of a cherub measured five cubits so that the space from wing tip to wing tip of each was ten cubits. [25] The cherubim were identical in size and shape, [26] and each was exactly ten cubits high. [27] The cherubim were placed in the inmost part of the temple, with their wings spread wide, so that one wing of each cherub touched a side wall while the other wing, pointing toward the middle of the room, touched the corresponding wing of the second cherub. [28] The cherubim, too, were overlaid with gold.
(CCC 2129) The divine injunction included the prohibition of every representation of God by the hand of man. Deuteronomy explains: "Since you saw no form on the day that the Lord spoke to you at Horeb out of the midst of the fire, beware lest you act corruptly by making a graven image for yourselves, in the form of any figure...." (Deut 4:15-16). It is the absolutely transcendent God who revealed himself to Israel. "He is the all," but at the same time "he is greater than all his works" (Sir 43:27-28). He is "the author of beauty" (Wis 13:3). (CCC 2130) Nevertheless, already in the Old Testament, God ordained or permitted the making of images that pointed symbolically toward salvation by the incarnate Word: so it was with the bronze serpent, the ark of the covenant, and the cherubim (Cf. Num 21:4-9; Wis 16:5-14; Jn 3:14-15; Ex 25:10-22; 1 Kings 6:23-28; 7:23-26).
